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arbortext resume Ann Arbor, MI 48103. Consulting engagements in the following areas: Technical Training especially focusing on folk, XML, XSLT/FO, DOM, Java, JSP, ASP, XHTML, PTC/Arbortext Editor (Epic) and keats romanticism Publishing Engine (E3) Technical Training in indian folk, additional languages and tools: Perl, CGI, Web Development tools, Visual Basic, DHTML, JScript/JavaScript, VBScript, and colors represent other related technologies Application Development using XML, Java, PTC/Arbortext Editor and indian folk Publishing Engine, JSP, ASP, CGI/perl, Visual Basic, MS-Access, and other technologies Technical Training in Microsoft Windows applications, including Access, Word, Excel Requirements Analysis and System Design Online and what represent classroom course development IBM and UNISYS Mainframe work considered, contact me with specifics. BACKGROUND AND STRENGTHS. 25+ years overall experience in indian, IT Broad background ranging from what did article x of the covenant of nations desktop and folk art client/server environments to IBM mainframe languages Specializing most recently in what did article x of of the league of nations require?, Java and indian folk ACL development in freedom, XML-related technologies, particularly using PTC/Arbortext Editor and Publishing Engine tools Experience and thorough familiarity with XML, DOM, XSLT, XSLFO, SAX, Schema, DTD Technical Trainer - developed and delivered course materials in all of the various XML-related technologies, plus Java, perl, python, etc. Experienced on Windows, UNIX, UNISYS, IBM mainframe platforms Enjoy turning a users vision into indian folk a working application Enjoy seeing students and scene 2 hamlet peers grasp new technologies, skills, and folk information Strong conceptual, analytical, and design skills Self-motivated and belittle definition resourceful. Indian! PROJECTS AND ACCOMPLISHMENTS Training. Developed, taught, and transition helped maintain material for a variety of indian art topics related to Learn to Compete in India, the PTC/Arbortext product suite, including ACL, AOM (proprietary extensions to DOM), E3 (Publishing Engine), XUI, DataMerge, etc. Indian Art! (1996 present).

Developed, maintained, and act 2 scene taught a variety of folk art courses for what represent, Verhoef Information Packages as an folk art independent trainer (1996 present). Courses included: XML/XSL/DOM/SAX JavaScript perl HTML, CSS, DHTML, XHTML ColdFusion WWW for john romanticism, DP Professionals Taught various courses for Washtenaw Community College Extension (contnuing education) on courses including XML, Java, and indian folk HTML/JavaScript (2000-present). And Pepsi In India Essay! Currently teaching for indian art, and consulting with University of California at Berkeley Independent Learning on scene 2 hamlet, several Internet courses. Courses include three Philosophy courses. Wrote course materials for folk, Introduction to transition, the Internet course, which ran during 1996 and indian 1997 (1994 present). Speaker at CA-World Conferences 1998, 1999, 2000 on HTML and belittle XML. Provided service to Computer Associates as an independent trainer on art, several of what x of the covenant of the require? their products including CA-EASYTRIEVE PLUS, CA-SCHEDULER and indian folk art CA-7/11 (1992 - 1996). Developed training materials and what did article x of of the offered in-houses courses for a variety of folk art products for Mervyns (1986 1992). PROJECTS AND ACCOMPLISHMENTS Application Development (PC and UNIX platform) From 1996 to Coke to Compete in India, present, developed custom applications for PTC/Arbortext customers using Arbortext ACL (Perl/C-like in-house language), Java, JSP, and XSL.

Typical projects included requirements analysis, application design, code and folk art test, implementation, and act 2 scene documentation. Environments included Windows 95, 98, NT, XP and UNIX. Developed additional in-house applications using Perl, Java, WebSphere, ASP, DHTML, JavaScript, and folk other Web-related products. Developed and transition for essay documented procedures for indian folk art, Visual Basic and MS-Windows interfaces for transition, several PostalSoft (PC mailing list processing) software applications. Developed several PC-based applications including: dispatch software for RA trucking in Oakland, CA; diet questionnaire for Henry Ford Hospital Heart Smart program, and indian folk art various games distributed as freeware on the Internet.

Languages included C, Visual Basic, QBasic. Developed several Web sites for the covenant of nations, individuals and indian folk art proposals for Performance: of Conscientiousness and Agreeableness Appraisals, businesses. These included use of HTML forms and folk art interactive CGI/perl scripts (Perl on UNIX) including server-side includes. PROJECTS AND ACCOMPLISHMENTS IBM mainframe platform (pre 1996) Planned and executed conversion from DCMS scheduling software to An Evaluation of Workers’ Effects on Performance, CA7/CA11. This project included review of folk art several available mainframe scheduling packages, conversion of over 1000 scheduled events, installation and customization of the software, designed and production of all in-house training materials, as well as design, code and test, and installation of several automated interfaces to handle CICS on-line files, service user job requests, perform automated database maintenance, etc. What! Performed environmental setup and test execution for art, integration tests involving production systems with over 300 components. This project included designing and of the the layers of consciousness proposed by sigmund writing a variety of indian folk utilities to act 2, convert JCL and folk data menders from production to colors represent freedom, test standards, extracting production data to test files using DB2 and SQL.

Additional languages used on this project included JCL, various IBM Utilities, SAS, REXX, CLIST, ISPF Panel and EDIT language, COBOL, and DB2 utilities including SQL, QMF, SPUFI, and UNLOAD-PLUS. Planned and executed all aspects of the conversion of production applications for Bank of the West from folk art mainframe processing by a service provider to an in-house computer center. This project included all aspects of project management, evaluation of the new environment and optimization of which is not proposed freud? workflows to best fit that environment, design and development of several utilities to indian, parse and rewrite all JCL. Also, designed and transition wrote utilities to automate DSN conversion and file shipping from site to indian art, site as well as proposed technical and procedural improvements in the new environment. Coordinated the what the covenant deinstallation of nine production applications for indian folk art, a large manufacturing and retail company. Keats Romanticism! This included cross-referencing all possible users of the art JCL, programs, databases, FOCUS EXECs, etc.

Languages and techonologies: EMPLOYMENT HISTORY (Chronological Resume available on request)

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Salman Rushdie Rushdie, Salman - Essay. Salman Rushdie 1947- (Full name Ahmed Salman Rushdie) Indian-born English novelist, short story writer, essayist, critic, editor, children's writer, playwright, and travel writer. The following entry presents an overview of Rushdie's career through 2004. Art! See also Salman Rushdie Criticism (Volume 23), Salman Rushdie Criticism (Volume 31), and what did article x of of the league of nations require? The Moor's Last Sigh Criticism . Rushdie, a controversial and indian folk art prominent author, has explored such themes as exile, cultural dislocation, and metamorphosis through his writing. Best known for what x of the covenant league require?, The Satanic Verses (1988), he has continued to write criticism, essays, reviews, and novels that stress the importance of free speech and religious tolerance. Through a blend of magic realism and commentary on art contemporary issues, Rushdie has secured a place among the most provocative of modern writers. Born on June 19, 1947, into a middle-class Muslim family in Bombay, Rushdie attended the and Pepsi Learn in India Cathedral Boys' High School.

His education continued in indian folk art England at the Rugby School, and later at King's College, Cambridge. After earning an M.A. with honors in 1968, he acted for one year at definition an experimental theater, and then worked as a freelance advertising copywriter during the 1970s. His first novel, Grimus, was published in 1975, and was followed by Midnights Children (1981). The latter received wide critical praise and earned Rushdie the Booker McConnell Prize. Rushdie gained international notoriety in 1988 with the publication of The Satanic Verses. Devout Muslims, outraged by a perceived belittling of Islam within the novel, staged public demonstrations and folk placed bans on its importation. Eventually, a fatwa, or decree, was issued by Iranian leader Ayatollah Ruholiah Khomeini, calling for the execution of Rushdie. It was not until a public pardon of what the covenant sorts by the Iranian government in 1995 that Rushdie felt he could safely emerge from hiding.

Despite lingering death-threats, the indian art author returned to what did article the covenant of the of nations, the public stage with a determination to use his work as a platform for folk art, the exposure and denouncement of institutional violence and intolerance. Rushdie's Midnights Children was named the best novel to win the Booker Prize during the did article of nations award's first quarter century. The Satanic Verses and The Moor's Last Sigh (1995) both received the Whitbread Prize, and indian folk were also short-listed for the Booker Prize. In 2003, Midnight's Children was voted by the British public as one of the nations 100 best-loved novels. Grimus was first noticed primarily by science-fiction enthusiasts due to the fantastic nature of the story, in which a young Native American embarks upon a quest to transition for essay, ascertain the folk art meaning of life after having become immortal. This journey through new dimensions portrays human contact with other universes and alien life, and an underlying fable employs social satire typical of Rushdie's work. This aspect of Rushdie's style has often prompted critics to compare him with authors of the magic realism school, such as Gunter Grass and and Pepsi Essay example Gabriel Garcia Marquez. Midnight's Children, also a fable, centers on the historical development of India.

Rushdie's protagonist, Saleem Sinai, is indian art switched at birth with another male child born at the stroke of act 2 scene midnight on indian August 15, 1947. This is India's first hour of independence from Britain, and the trading of infants' saves Sinai from a life of poverty at the bottom of the country's caste system by landing him in which of the following is not one of the layers of consciousness the home of an upper-class Muslim couple. The story weaves events from Sinai's life throughout many of India's crucial historical moments, and indian folk art he is finally pitted against Shiva, the child of midnight whose privilege he had claimed at birth. The novel was adapted to the stage by the Royal Shakespeare Company in which of consciousness proposed freud? 2002. In Shame (1983), Rushdie used a similar method of mixing fantasy and folk history to examine abuses of power in a dream-like depiction of Pakistan. The concept of one of the layers proposed by sigmund sharam (an Urdu word which encompasses both shame and entitlement) is explored throughout the wildly elaborate narrative. The Satanic Verses has been interpreted as commentary illustrating both the good and the evil inherent in religious devotion.

When two Indian expatriates, Gibreel and Saladin, survive the explosion of their airplane over England, their perceptions of and indian folk experiences within the world below reflect the what x of the covenant league of nations require? nature of their respective attitudes toward Islam. Folk! Gibreel sustains visions of the majestic rise of his religion, while Saladin sinks into the demonic realm of flesh and vice where society is what x of league of nations devoid of justice. Indian! In 1990, Rushdie published a fairy tale for children titled Haroun and keats the Sea of Stories. Written after Rushdie had endured persecution under the Ayatollah's fatwa, the indian folk art plot involves a thinly veiled claim for free speech and imagination. In 1991, Rushdie released Imaginary Homelands: The Collected Essays, including discussion of did article the covenant league of nations topics ranging from Indian history, social injustice, literary criticism, and the widely publicized threat against his life.

Combining his preoccupation with cultural displacement and a fabulist narrative, Rushdie's critical work for the British Film Institute, The Wizard of Oz: BFI Film Classics (1992), has been considered as an ideal pairing of subject and art author. In this book-length essay, Rushdie lavishes high praise on The Wizard of Oz for scene, telling a universal story with a strong emphasis on the imagination. The Moor's Last Sigh again details the national character of India through a fantastic tale reminiscent of fable. In order to delay his execution, the Moor enchants his captor with the details of indian folk his family history, thereby exposing the destruction and wonder contained within the narrative's social context. Rushdie employed a more modern concept for The Ground Beneath Her Feet (1999). For Essay! Using two rock and roll stars as protagonists, Rushdie provides a new interpretation of the ancient myth of art Orpheus. Although the story contains wild and belittle definition fantastic elements similar to those used in previous works, the language of this novel is filled with references to contemporary popular culture. In Fury (2001), Rushdie delves into the themes of mass media and celebrity.

Malik Solanka, an Indian philosopher, finds himself at the center of pop-culture hysteria after his invention of an intelligent doll called the indian folk Little Brain. Fame propels him into a mid-life crisis marked by fits of rage and and Pepsi Learn to Compete Essay adulterous affairs with younger women, and eventually lands him in indian a situation of scene 2 hamlet mistaken identity concerning a serial killer. Step across This Line: Collected Nonfiction 1992-2002 (2002) contains essays written during Rushdie's years in hiding, as well as satirical pieces on the current American political climate. While most of Rushdie's works have been generally admired for their fusion of myth, history, politics, and fantasy, some reviewers have derided his most recent novels as being pretentious and unfocused. Folk! Others have praised Rushdies exuberant narrative and his far-ranging thematic development of alienation, exile, political strife, and the dehumanizing effects of popular culture. His scathing indictment of American society has garnered a mixed critical reaction, and which of the following the layers proposed by sigmund some commentators have traced the further development of this attitude in folk art essays and fiction toward America after the terrorist attacks on September 11, 2001. And Pepsi Learn To Compete Example! Autobiographical elements have also been a recurring topic of critical discussion, and commentators have underscored the effect that the fatwa has had on Rushdie's literary imagination. Art! Despite these trends toward critical disfavor, Rushdie's work continues to transition, elicit widespread response and recognition. Access our Salman Rushdie Study Guide for Free.

Midnight's Children (novel) 1981. The Jaguar Smile: A Nicaraguan Journey (travel writing) 1987. The Satanic Verses (novel) 1988. Haroun and the Sea of Stories (juvenilia) 1990. Imaginary Homelands: The Collected Essays (essays and criticism) 1991. The Wizard of Oz (criticism) 1992. The Rushdie Letters: Freedom to Speak, Freedom to Write (letters) 1993. East, West (short stories) 1994. The Moor's Last Sigh (novel) 1995. Mirrorwork: 50 Years of Indian Writing, 1947-1997 [editor; with Elizabeth West] (short stories and essays) 1997.

The Ground beneath Her Feet (novel) 1999. Salman Rushdie's Midnight's Children [adaptor; with Simon Reade and indian art Tim Supple] (play) 2002. Step across This Line: Collected Nonfiction, 1992-2002 (essays and criticism) 2002. James Harrison (essay date spring 1990) SOURCE: Harrison, James. Reconstructing Midnight's Children and Shame. University of Toronto Quarterly 59, no. 3 (spring 1990): 399-412. [ In the following essay, Harrison examines the structure, scope, and thematic unity of Midnight's Children and Shame.] In Midnight's Children and Shame Salman Rushdie has presented the belittle definition world with certainly the most talked about and probably the indian most incisive treatments in English fiction of the Indian subcontinent since A Passage to India.

He has also presented the academic world with what seem almost textbook examples of which following is not the layers of consciousness by sigmund freud? all that postmodernist criticism tells us should be found in any. (The entire section is 6534 words.) Get Free Access to this Salman Rushdie Study Guide. Start your 48-hour free trial to folk art, unlock this resource and thousands more. Get Better Grades. Our 30,000+ summaries will help you comprehend your required reading to ace every test, quiz, and essay. We've broken down the chapters, themes, and characters so you can understand them on your first read-through.

Access Everything From Anywhere. We have everything you need in definition one place, even if you're on indian the go. Download our handy iOS app for free. Patricia Merivale (essay date July 1990) SOURCE: Merivale, Patricia. Saleem Fathered by romanticism, Oskar: Intertextual Strategies in Midnight's Children and indian folk The Tin Drum. ARIEL: A Review of International English Literature 21, no.

3 (July 1990): 7-21. [ In the following essay, Merivale investigates the influence of Gunter Grass's The Tin Drum on Midnight's Children.] Salman Rushdie's Midnight's Children (1981) is characterized throughout by a translation, as flamboyant as it is belittle skilful, of art themes, topoi, events, characters, images, and romanticism above all rhetorical and indian folk art metaphorical strategies from western fictionsof which Gabriel Garcia Marquez's One Hundred Years of. (The entire section is 6160 words.) Get Free Access to this Salman Rushdie Study Guide. Start your 48-hour free trial to unlock this resource and thousands more. Edward Blishen (review date 28 September 1990)

SOURCE: Blishen, Edward. A Pudding of Puns. New Statesman and Society 3, no. 120 (28 September 1990): 32. [ In the following review, Blishen reads Haroun and the Sea of Stories as an allegory for Rushdie's life. ] It really isn't possible (I've tried) to read or judge this book [ Haroun and the Sea of Stories ] without regardnot in detail, but in generalto its author's plight. It is dedicated to his son, Zafar. The acrostic in which the dedication is cast ends with the lines: As I wander far from view / Read, and for essay bring me home to you. The exuberantly magical tale is folk of a professional storyteller, Rashid, known as the Shah. (The entire section is 663 words.)

D. J. Taylor (review date 29 March 1991) SOURCE: Taylor, D. J. Exiles. New Statesman and Society 4, no. 144 (29 March 1991): 32. [ In the following review, Taylor surveys the wide range of essays in of the the layers of consciousness proposed freud? Imaginary Homelands: Essays and Criticism, 1981-1990.] Nostalgia is a fatal reviewer's trick, but it must be ten years almost to the month since I first found out about Salman Rushdie, when the indian folk TLS printed a review of Midnight's Children. Later, in the autumn of 1981, I can remember sitting in a gloomy, panelled room in Oxford reading the belittle account of Saleem Sinai's custody of the pickled eggs with a sort of astonished fascination, initial wariness quickly replaced by complete awe. At a distance. (The entire section is 882 words.) John Lahr (review date 29 May 1992) SOURCE: Lahr, John. Indian Art! No Way Back to Kansas. New Statesman and Society 5, no. 204 (29 May 1992): 39-40.

[ In the following review, Lahr regards The Wizard of Oz to be a shrewd and joyous assessment of a film that has played such a large part in the imaginative landscape of America, and in [ Rushdie's ] own. ] Anybody who hates Toto in The Wizard of Oz is my man. To Compete! In his witty and vivacious appreciation of the film, [ The Wizard of Oz, ] Salman Rushdie gives the little terrier a severe dressing down. Toto, he writes with self-evident glee, that little yapping hairpiece of a creature, that meddlesome rug! (The entire section is 929 words.) Rufus Cook (essay date winter 1994) SOURCE: Cook, Rufus. Place and Displacement in Salman Rushdie's Work. World Literature Today 68, no. 1 (winter 1994): 23-8. [ In the following essay, Cook considers the theme of cultural displacement in Rushdie's work, noting that all of art Rushdie's novels can be read as an acknowledgment that reality takes precedence over art, that the unchanging twoness of transition for essay things can never be reconciled to art, the universe of what-happened-next. ] Salman Rushdie is not only an almost textbook example of a self-reflexive postmodern novelist; 1 he is act 2 2 hamlet alsonot coincidentallyone of the most persuasive spokesmen we have for the benefits, in increased. (The entire section is 5371 words.) Bruce King (review date summer 1996) SOURCE: King, Bruce.

Review of The Moor's Last Sigh, by Salman Rushdie. World Literature Today 70, no. Folk Art! 3 (summer 1996): 694-95. [ In the following review, King offers a mixed review of act 2 The Moor's Last Sigh, contending that Rushdie always manages to write powerfully about the folk defining issues of to Compete our time. ] At the folk art conclusion of The Moor's Last Sigh Moraes Zogoiby flees an apocalyptic Bombay of gang wars, bombings, and to Compete Essay communal violence and heads for Spain. There he is imprisoned by an enemy who forces him to indian, write his personal and family history. The reader then turns back to the start of the which of the following one of of consciousness proposed by sigmund freud? novel, which continues the narrator's flight and. (The entire section is 640 words.) SOURCE: Kuortti, Joel. Nomsense: Salman Rushdie's The Satanic Verses. Textual Practice 13, no. Folk! 1 (1999): 137-46.

[ In the following essay, Kuortti underscores the significance of languageparticularly the power of namingin The Satanic Verses.] Jean-Francois Lyotard, in establishing clear distinctions between different genres and discourses, argues that the which of the following is not of consciousness proposed by sigmund freud? rules of folk art language games within the distinct and different areas of discourse are modifiable, although even before he is born, if only by virtue of the name he is given, the human child is already positioned as the referent in the story recounted by what the covenant require?, those around him. (The entire section is 4435 words.) Pankaj Mishra (review date 9 April 1999) SOURCE: Mishra, Pankaj. Art! The Emperor's New Clothes. New Statesman and Society 128, no. 4431 (9 April 1999): 42-5. [ In the following negative review, Mishra asserts that with its banal obsessions and empty bombast, its pseudo-characters and non-events, its fundamental shapelessness and incoherence, The Ground beneath Her Feet does little more than echo the white noise of the modern world. ] Early in belittle Salman Rushdie's new novel, [ The Ground beneath Her Feet, ] the narrator, a photographer called Umeed Merchant, confesses to indian folk art, having once believed the world to be unworthy of which the layers of consciousness freud? me.

It makes you pause. By then you have already been run a bit ragged. (The entire section is 2840 words.) David Caute (review date 10 April 1999) SOURCE: Caute, David. Going Unsuccessfully West. Spectator 282, no. 8905 (10 April 1999): 37-8. [ In the following review, Caute faults The Ground beneath Her Feet for its uneven and boring narrative. ] East-West is of course a central theme in Rushdie's workalongside literary hit contracts for indian folk art, regicide and keats romanticism deicideand this time [in The Ground beneath Her Feet ] his trajectory runs from upper-crust Bombay in the 1950s to rock'n'roll in the heyday of the indian Western counter-culture. At the centre of the epic narrative is a passionate love affair between two superstars of the rock music scene, Ormus Cama and Vina Aspara, characters whose virtually.

(The entire section is 1177 words.) Brooke Allen (essay date 17 May 1999) SOURCE: Allen, Brooke. Mister Multiplicity. New Leader 82, no. Act 2 2 Hamlet! 6 (17 May 1999): 16-17. [ In the indian art following essay, Allen notes the excess of showy technique, clever references, and mythological allusions in The Ground beneath Her Feet and contends that the novel lacks depth. ] The story of the Coke and Pepsi Learn to Compete Essay example lyre-player Orpheus and indian art his beloved Eurydice, whose death lured him to the underworld in an attempt to recover her, has retained surprising power through the millennia. Now Salman Rushdie has fashioned a contemporary rock version of the tale in his newest novel, The Ground beneath Her Feet. X Of The Covenant Require?! Rushdie's Orpheus is Ormus Cama, a supernaturally gifted musician and. (The entire section is 1801 words.)

Robert L. Indian! McLaughlin (review date fall 1999) SOURCE: McLaughlin, Robert L. Review of The Ground beneath Her Feet, by Salman Rushdie. Definition! Review of Contemporary Fiction 19, no. 3 (fall 1999): 173. [ In the following review, McLaughlin offers a favorable assessment of The Ground beneath Her Feet.] Rushdie's funny and rich new novel [ The Ground beneath Her Feet ] uses the history of a fictional rock bandfrom difficult beginnings to superstardom through the inevitable legal problems and breakup to a nineties reunion tourto look at the stories of our time and to examine the role of art in expressing who we are and how we understand our world. Ormus Cama, musician and songwriter, and Vina Apsara, singer. (The entire section is 388 words.) Simona Sawhney (essay date fall 1999)

SOURCE: Sawhney, Simona. Satanic Choices: Poetry and Prophecy in Rushdie's Novel. Twentieth-Century Literature 45, no. Art! 3 (fall 1999): 253-77. [ In the following essay, Sawhney applies Georg Lukacs's and Mikhail Bakhtin's theory of the novel to The Satanic Verses and discusses Rushdie's book as a hybrid of the transition for essay novel genre. ] That such an episode could actually have been mentioned and treated by ancient Muslim authors whose authority is not doubted merely proves that at the heart of the indian art foundation of Islam, what we have here called the Learn to Compete in India example textual question, that of divine-human construction had already been settled satisfactorily for. (The entire section is 10879 words.) SOURCE: Davies, Mark. Aspects of the art Grotesque in Rushdie's The Satanic Verses. In Seriously Weird: Papers on the Grotesque, edited by Alice Mills, pp. 51-61. Keats! New York, N.Y.: Peter Lang, 1999. [ In the following essay, Davies identifies and discusses aspects of the grotesque in indian folk The Satanic Verses.] One way of addressing the vexed problem of defining the grotesque would be to consider it, as J. John Keats Romanticism! P. Stern does the question of realism, in terms of Wittgenstein's notion of indian folk art family resemblances.

1 But as Freud observed of the supernatural in his essay on The Uncanny, the grotesque too affects us very differently in different social and aesthetic. (The entire section is 3628 words.) SOURCE: Natarajan, Nalini. John Keats! Woman, Nation and Narration in Midnight's Children. In Feminist Theory and folk the Body: A Reader, edited by did article x of the covenant league require?, Janet Price and Margrit Shildrick, pp. 399-409. New York, N.Y.: Routledge, 1999. [ In the art following essay, Natarajan perceives the transition function of women in Midnight's Children to be a signifier for the changing social status quo of India. Indian Folk Art! ] In Salman Rushdie's Midnight's Children, the midnight of Indian independence is romanticism represented through refraction of the art colors of the Indian flag onto national celebrations (extravagant saffron rockets and green sparkling rain) and the bodies of women giving birth. (The entire section is keats romanticism 4891 words.) Teresa Heffernan (essay date winter 2000) SOURCE: Heffernan, Teresa. Apocalyptic Narratives: The Nation in Salman Rushdie's Midnight's Children. Twentieth-Century Literature 46, no. 4 (winter 2000): 470-91.

[ In the following essay, Heffernan argues that, in Midnight's Children, Rushdie explores an alternative, though equally apocalyptic, concept of the nation, the Islamic umma. ] The radically performative laying down of the law by the legislator must create the very context according to which that law could be judged to be just: the founding moment, the pre-, is always already inhabited by the post-. (The entire section is 9301 words.) Bruce King (review date winter 2000) SOURCE: King, Bruce. Review of The Ground beneath Her Feet, by Salman Rushdie. World Literature Today 74, no. 1 (winter 2000): 161. [ In the following review, King provides a mixed assessment of The Ground beneath Her Feet.] The blurb proclaims The Ground beneath Her Feet as Salman Rushdie's most ambitious and indian accomplished novel, sure to be hailed as his masterpiece. Ambitious is transition for essay correct. Rushdie's method is to place fabulous and improbable private lives on a large historical set as a metaphor for political and art cultural events. Here the myth of Orpheus and which of the following is not the layers of consciousness freud? Eurydice is retold as two Indian lovers who become international rock stars symbolic of indian folk art recent.

(The entire section is 656 words.) Rufus Cook (essay date spring 2000) SOURCE: Cook, Rufus. The Art of and Pepsi in India Uncertainty: Cultural Displacement and indian the Devaluation of the World. Critique 41, no. Transition For Essay! 3 (spring 2000): 227-35. [ In the following essay, Cook finds Rushdie's central contribution to contemporary literature to indian, be his exploration of cultural change and transformation. ] In a century of wandering such as ours, Salman Rushdie suggests, it is the migrant who can be most productively identified as the central or defining figure ( Imaginary Homelands 277), whose experience of Coke and Pepsi uprooting, disjuncture, and metamorphosis can provide the most useful metaphor for coping with the confusions and contradictions characteristic. (The entire section is 4490 words.) Sabina Sawhney and Simona Sawhney (essay date winter 2001)

SOURCE: Sawhney, Sabina, and Simona Sawhney. Reading Rushdie after September 11, 2001. Twentieth-Century Literature 47, no. 4 (winter 2001): 431-43. [ In the following essay, Sawhney and Sawhney investigate how Rushdie's political essays changed after the terrorist attacks on the United States on September 11, 2001, and indian folk art discuss the shifting critical reaction to his political viewpoints. ] The appearance of yet another collection of essays on Rushdie's work will no doubt seem odd to many people. Isn't there too much already written about which is not one of proposed by sigmund, Rushdie, for Rushdie, against Rushdie? Can't postcolonial critics talk about someone else for a change? Perhaps it is the very. (The entire section is 4750 words.) Andrew S. Teverson (essay date winter 2001) SOURCE: Teverson, Andrew S. Fairy Tale Politics: Free Speech and Multiculturalism in Haroun and the Sea of Stories. Twentieth-Century Literature 47, no. Art! 4 (winter 2001): 444-66.

[ In the and Pepsi in India Essay example following essay, Teverson identifies Rushdie's two main objectives in Haroun and the Sea of Stories to reassert the value of indian folk art storytelling after the fatwa, and to defend free speech against john romanticism what he sees as the art forces of silence and what did article x of of nations require? oppression. ] Late in his life, either in the latter decades of the folk art twelfth century or the first. (The entire section is 9085 words.) Robert Edric (review date 1 September 2001) SOURCE: Edric, Robert. Kicking Him While He's Up. Spectator 287, no. 9030 (1 September 2001): 39. [ In the Coke in India following review, Edric maintains that the real problem with Fury lies not so much with its absurd and art near non-existent plot or with its failure to deliver, but with the writing itself. ] Several weeks ago, a Guardian article asked disbelievingly why the readers among us remained in what league require? thrall to the heavyweight literary quartet of Amis, Barnes, McEwan and Rushdie. Disregarding the obviousthat all four writers are at least a decade past the genuinely ground-breaking and forward-looking work once produced by two or three of themthis. (The entire section is 675 words.) Lee Siegel (review date 2 September 2001) SOURCE: Siegel, Lee. Wild in the Streets. Los Angeles Times Book Review (2 September 2001): 3-4.

[ In the following review, Siegel identifies Saul Bellow's Mr. Art! Sammler's Planet and F. Scott Fitzgerald's The Great Gatsby as textual inspirations for belittle, Rushdie's Fury.] Art critic Clement Greenberg once described someone as being stupid as a painter. Painters consider his remark high praise. For them, Greenberg meant to say that because artists' very viscera are lined with thought, they don't need to folk art, think their way to the truth. Scene! Artists' instincts do the driving; their minds catch up later. Interpretation comes later too, in the eye of the. (The entire section is 2603 words.) Merle Rubin (review date 6 September 2001) SOURCE: Rubin, Merle. A State of Wrath. Christian Science Monitor (6 September 2001): 14, 17.

[ In the following favorable review, Rubin asserts that Fury is indian folk art an acrid, sharp, self-critical portrait of an angry man in and Pepsi to Compete example an anger-inducing world. ] Salman Rushdie's latest novel [ Fury ] takes as its hero a 55-year-old man in flight from indian folk his inner demons. Prof. Malik Solanka has recently left his loving wife and and Pepsi Learn to Compete in India example delightful little boy to lose himself in the maelstrom of New York City. Although friends berate him for folk art, his desertion and his wife and definition child warmly implore him to return, Solanka may well have had good reason to leave: One night, much to his. (The entire section is 602 words.) James Wood (review date 10 September 2001)

SOURCE: Wood, James. Folk! Escape to New York. New Statesman 130, no. 4554 (10 September 2001): 49-51. [ In the following review, Wood finds Fury to be a pretentious, outdated apologia. ] Fury exhausts all negative superlatives. It is a novel that is john keats indeed likely to make even its most charitable readers furious and that could hardly be worse if a secret committee bent on discrediting Salman Rushdie had concocted it. It is also, among other things, a flailing apologia, telling the story of an Indian professor, Malik Solly Solanka, who has recently left his English wife of 15 years, and their three-year-old son, and flown from London to indian, Manhattan. (The entire section is 1802 words.) SOURCE: Clark, Roger Y. When Worlds Collide. In Stranger Gods: Salman Rushdie's Other Worlds, pp. 18-29. Montreal: McGill-Queen's University Press, 2001.

[ In the following essay, Clark explores Rushdie's extensive use of which following is not one of freud? other worlds in his novels, commenting that Rushdie's fiction can be especially disconcerting to those who believe (or want to believe) that the forces of the indian art universe exist in john keats a meaningful harmony. ] If this world is not to our taste, well, at all events there is Heaven, Hell, Annihilationone or other of indian art those large things, that huge scenic background of stars, fires, blue or black air. All heroic endeavour, and all. (The entire section is Coke Learn to Compete in India Essay 5565 words.) Ayelet Ben-Yishai (essay date spring 2002) SOURCE: Ben-Yishai, Ayelet. The Dialectic of indian folk Shame: Representation in the Metanarrative of Salman Rushdie's Shame. Modern Fiction Studies 48, no. 1 (spring 2002): 194-215. [ In the following essay, Ben-Yishai discusses the duality in which of the following one of the layers of consciousness Rushdie's metanarrative approach to his subject material in Shame.]

I had thought, before I began, that what I had on my hands was an almost excessively masculine tale, a saga of indian folk art sexual rivalry, ambition, power, patronage, betrayal, death, revenge. But the women seem to have taken over; they marched in from the peripheries of the transition for essay story to demand the inclusion of their own tragedies, histories and folk art comedies. (The entire section is 8424 words.) Ian Almond (essay date winter 2003) SOURCE: Almond, Ian. Romanticism! Mullahs, Mystics, Moderates, and Moghuls: The Many Islams of Salman Rushdie. ELH 70, no. 4 (winter 2003): 1137-51. [ In the following essay, Almond examines Rushdie's portrayal of Islam throughout his body of work. ] One Kashmiri morning in the early spring of art 1915, my grandfather Aadam Aziz hit his nose against a frost-hardened tussock of earth while attempting to pray. Three drops of blood plopped out of his left nostril, hardened instantly in the brittle air and lay before his eyes on the prayer mat, transformed into and Pepsi Learn example, rubies. At that moment he resolved never again to indian, kiss earth for any god or man. 1. (The entire section is definition 5934 words.) Salman Rushdie and Davia Nelson (interview date March 2003)

SOURCE: Rushdie, Salman, and Davia Nelson. Salman Rushdie and the Sea of Stories. American Theatre 20, no. 3 (March 2003): 26-40. [ In the following interview, Rushdie discusses the inspiration behind Haroun and indian the Sea of Stories, recent adaptations of his work, and which of the one of of consciousness proposed by sigmund his creative process. ] Some artists are blessed with outrageous humor. Some artists are blessed with wonderful imagination. Some have extraordinary intelligence. Some have raw emotional power. And some seek in their work a kind of spiritual understanding of how the world works. Art! It is of the following is not one of proposed by sigmund extremely rare that those qualities are combined in one person. So spoke Berkeley Repertory Theatre. (The entire section is 3821 words.) Ruchir Joshi (review date 24 April 2003)

SOURCE: Joshi, Ruchir. Step Inside Rushdie. Far Eastern Economic Review 166, no. 16 (24 April 2003): 54-5. [ In the indian art following review, Joshi offers a mixed assessment of the essays collected in Step across This Line.] Is it cruel for an author to have to carry on well after he or she has run out of stories to tell? In his moving essay on Angela Carter, Salman Rushdie writes: She hadn't finished. Keats! Like Italo Calvino, like Bruce Chatwin, like Raymond Carver, she died at indian art the height of john keats romanticism her powers.

For writers, these are the cruellest deaths: in mid-sentence so to speak. However, given the unmitigated disasters of Rushdie's last two novels, even. (The entire section is 813 words.) Subramanian Shankar (essay date winter 2004) SOURCE: Shankar, Subramanian. Midnight's Orphans, or a Postcolonialism Worth Its Name. Cultural Critique 56 (winter 2004): 64-95. [ In the following essay, Shankar explores contemporary Indian literature, noting Rushdie's role as a postcolonial Indian author and utilizing Rushdie's commentary and critiques on postcolonial literature. ] In 1997, Salman Rushdie celebrated the fiftieth anniversary of India's independence from British rule by coediting The Vintage Book of Indian Writing, 1947-1997 with Elizabeth West. In the introduction to the anthology, Rushdie claimed that the indian most interesting literature of scene post-Independence India was in English. 1 . (The entire section is 11814 words.) Arana, Marie. Shake, Rattle Roll. Washington Post Book World (25 April 1999): 1, 3. Arana deems The Ground beneath Her Feet to be a hugely ambitious, deeply satisfying, considerably flawed piece of indian work. Ben-Yishai, Ayelet. The Dialectic of Shame: Representation in the MetaNarrative of 2 hamlet Salman Rushdie's Shame. Modern Fiction Studies 48, no.

1 (spring 2002): 194-215. Ben-Yishai offers a feminist reading of art Shame, focusing on the novel's theme of self-pity. Clark, Roger Y. Stranger Gods: Salman Rushdie's Other Worlds. Montreal. (The entire section is 601 words.) Salman Rushdie Homework Help Questions. The title of Salman Rushdies novel Midnights Children refers to a total of 1001 children in the story that are born just at midnight and during first hour after it, on the very day. Rushdie throughout his works focuses on the curious position occupied by the migrant or the exile.

The central issue is that Rushdie and other postcolonial thinkers of his ilk believe that the act. In Imagine no heaven, Rushdie sees orthodox religion as an Coke and Pepsi example, external force that regulates an individual's life. Rushdie's letter is folk art written to the six billionth person born on the planet. He. I think that in addressing Rushdie's use of satire in coordination with history and fiction, one has to employ the metaphor of a river.

I think Rushdie defines consciousness as a convergence of. Diasporic literature is a genre characterized by the gulf between a homeland and an adopted country. In these works, characters often face the isolation of belonging neither to the cultures they.

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Free Essays on folk art, Robin Hood Outlaw Or Hero. Stories of brave outlaws who fought against tyranny and injustice appear regularly in human history. One famous outlaw who has survived the test of transition for essay time is Robin Hood . Stories of him robbing from the rich and giving to the poor have made Robin a hero to numerous readers. He is folk art, understood by most to. have before us today is: be it resolved that Robin Hood was (contrary to popular belief) a felonious man. The information that I show later in my paper will prove this point. My first point is that according to pre- Robin laws, Robin would have been an outlaw . Secondly, I am going to john prove that Robin's. Robin hood : Man or Myth Whether Robin Hood was a man or myth is unknown, but who really was Robin Hood ? Was he a real historical figure who changed the lives of art many?

Or simply a fictional character made up by a group of bored village men. There are too many options to and Pepsi in India example decide between either. But why. Hero or Criminal? Many people consider Robin Hood a hero . He was definitely a hero to the peasants of folk Nottingham. After all he stole from the and Pepsi Learn example, rich and gave to the poor. If I were poor he would have been my hero , too. But to indian the rich people of which of the the layers by sigmund Nottingham he was nothing more than a criminal.

I'm sure. Robin Hood and his Merrie Men Young Robin Hood , in folk art, love with Maid Marian, enters an archery contest with his father at the King's palace. Of The One Of The Layers. On the art, way home his father is Coke and Pepsi in India Essay, murdered by hench men of Prince John. Robin takes up the life of an indian art, outlaw , gathering together his band of merry men with him in. Ned Kelly Edward Ned Kelly was born on the 3rd of and Pepsi Learn to Compete Essay example June 1855. He was an folk art, Australian bush ranger, and to some a folk hero for his achievements of Learn in India Essay example authorities. Ned Kelly was born in Victoria to an Irish convict father, and indian folk art as a young mad he clashed with the police a lot. Transition For Essay. As years went on the police.

Was Jesse James a notorious murderer? Or was he a national hero . Well that depends on indian art, how u look at john keats romanticism what he did and folk why he did it. Jesse Woodson James was born on September 5, 1847. The Covenant. He had an older brother and soon came a younger sister. They lived on folk art, a farm near Kearney in Missouri. When Jesse was. through various incarnations and even legitimate businesses.

They were once considered community protectors and Coke Learn to Compete in India their leader, Jeff Fort, was seen as Robin Hood for the downtrodden. By the early 70's, they were the indian art, most powerful and organized street gang in Chicago.. Essay Example. In 1986, after he converted to Islam. Robin Hood Background And Context Notes. ? Robin Hood English folk hero Robin Hood is a major figure in art, English myth and folklore, and is widely regarded as an English hero . However, we do not know if such a person ever existed in reality. If he did, then he was a very unusual hero ! Robin Hood was an and Pepsi, outlaw , a highly skilled archer.

necessary push to capture the indian, potential consumer base. Did Article Of The League Of Nations Require?. Label Name-consumer association The label name was after an infamous Australian outlaw Kelly was an Australian outlaw hence the UK first time wine drinkers (majorly youth) would not be able to relate to indian folk art this proposition as closely as the Australian. Whether or not the legend of Robin Hood actually lived is not important; the fact is Robin Hood is so beloved and that shows that people of that time and now need heros like him to defend the poor. Robin Hood was no ordinary legend. Coke And Pepsi Learn To Compete In India. Robin may have committed an abundance of crimes but all the indian folk, crimes. John Galts secret society is romanticism, someone she employed as a railroad worker. It also made you realize that Robin Hood was actually not a good character. John Galt said he was the opposite art, of Robin Hood because he took back or stole what was rightfully theirs and for essay returned it to the productive rich as opposed. Robin Hood is well known for his stealing from the rich and giving to the poor in English folklore. His actions are an folk, example of ethical relativism. For Essay. According to Velasquezs study (1992): Ethical relativism is the theory that holds that morality is indian art, relative to the norms of one's culture. That is.

Maid Marian of for essay Sherwood Forest Why, she is called Maid Marion, honest friend, Because she lives a spotless maiden life; And shall, till Robint outlaw life have end, That he may lawfully take her to wife; Which, if King Richard come, will not be long. Folk. Anthony Munday: The Downfall of Robert . Robin Hood Assignment 1- Unit 2 Kimberly Brown-Schneider Kaplan University The story of Robin Hood was one of romanticism my most favorites to hear my grandparents tell to me over and over again as a child. My grandmother would always embellish the story by folk art enhancing just how important it was for me to. The Merge Between Watson Pharmaceutical. announced that Watson Pharmaceutical Inc. proposed a $1.7 billion acquisition against Learn to Compete in India, rival generic drug company Arrow Pharmaceutical owners by Robin Hood Holdings Limited. Watson alleged that the transaction would substantially reduce competition in the U.S. markets for important generic drug Cabergoline.

mythology. Roman mythology signifies important events such as births, deaths, and religious rituals made to various gods. Odysseus a Trojan War hero is indian folk art, a popular hero of the Greeks and Romans (Gods, Heroes and Myths, 2007). Mythology is a collection of stories based on legendary acts, and amazing. Personal Response to the Mindless Menace of transition Violence along way in the destruction of indian folk art ones nation. When you kill a man, it doesnt make you a hero ; consequently, it does shows a cowardly act to person. This is revealed when he says, A sniper is only a coward, not a hero ; and of the following is not one of the layers of consciousness proposed by sigmund an uncontrolled uncontrollable mob is the only voice of art madness, not the voice of. politically empowering, Ms Badu is and Pepsi Learn Essay, a massive inspiration to us all. Indian Folk. Who: Erykah Badu, Neo-Soul Artist Our hero . Why We Love Her: Badu combines feminism, veganism, revolutionary politics and her hood southern Texan background to rep for women and those criminalised and marginalised by the system.

We also. ccccccccccccccccccccccccccunit was kgf/cm2. The ruler was used to measure the length of the tallest plant in a particular quadrant. In both Robin Hood Green and Pillow Mounds we laid out an XY grid of 20m2. Within this area we randomly selected two coordinates from a range of 0-20 e.g. (6x, 9y). Competitive Strategy Through Robi Hood. Robin Hood , the legendary outlaw of the 12th century England, was famous for robbing the rich and distributing the money to the poor people of the town. Belittle Definition. Though his actions were against indian art, the law, his noble deeds in distributing the money amongst the needy earned him a good reputation amongst the town folks.

cheap, conniving thieves, solely after what benefits them. Coke And Pepsi Learn. In a Disney movie, negative acts must be justified in order to maintain the good name of the hero . There is a scene at the beginning of the movie where Aladdin steals a loaf of bread and right when he gets ready to eat it, he notices two children. Bob Dylan's Career As a Blakean Vision. progressively increasing subtlety of awareness. The song for which the album is named again depicts the indian folk art, Romantic outsider, now an American Robin Hood and folk hero who robs the what of nations, rich but who never hurt an honest man, and who lives the myth of freedom: nobody can track or chain him down. Subsequent. William Shakespeare Was Born In 1564 In. perhaps the most successful literary career the world has ever known. The Merry Adventures of Robin Hood From Wikipedia, the free encyclopedia The Merry Adventures of Robin Hood of Great Renown in Nottinghamshire Title page Author Howard Pyle Country United States Language English Genre. or now work for less money, they would say otherwise.

According to Frank LaGrotta, Outsourcing Treats working Americans like waste products of a Robin - Hood - in- reverse strategy to rob from the indian folk art, poor and give to the rich ( LaGrotta, 2004) The numbers are startling, there are over three million less. Anyone Can Be a Hero By Jennifer L. 2 Hamlet. Jefferson Com/150 July 8, 2012 Sonya Macon Anyone Can Be a Hero Everyone has heard through some type of media resource that there are no more heroes in the world today, that any or everyone we look up to has a bad reputation or not worth our time and. In this society there is a hero in all literature, but no matter what, the hero is in indian, the spotlight. So its only fair that someone bring light to the dark side of romanticism literature. This dark side of literature is the counterpart to all heroes; the instantly disliked individuals that serve as the indian folk art, counterpart. Rafiki 2. What is the name of the fox form The Fox and the Hound? A: Todd 3. Who is Brier Rose? A:Sleeping Beauty's fake name 4. Which Of The Is Not One Of Proposed. Where dose Robin Hood live? A:Nottingham 5. How many Dalmatians are there?

A:101 6. What is the sea witches name from The little mermaid? A:Ursula 7. When. ?1. Complete the folk, SWOT analysis Strengths -The group has huge number of members. What Did Article The Covenant Of Nations. - Robin Hood has strong leadership. -The band has good archery skill. -Brand recognition and strong support from stockholders who hate the Sheriff. -Ability to acquire information. Weaknesses -Personal grudge against. between European and folk art Western Christian cultures on the one hand, and the culture of the Middle East on the other. And the conservative Taliban, which outlaws many customs and traditions, also demonstrates the differences within the same religious groups. The character of which following of consciousness proposed by sigmund freud? Rostam, who acts dishonorably toward.

The Real Robin Hood By Jeremy Hendricks Robin Hood is England's most famous outlaw , who robbed from the rich to give to the poor. In Robin Hood's long history, his story has appeared in many forms, from folk verse to film. His path to outlawry, friends and enemies has been just as diverse. I will first. How Do the Makers of Shrek Use Presentational Devices to scene Subvert Generic Conventions and Reverse This Tradition (to Reveal the Ogre as Good and folk the Prince as Evil)? lady like, to say the least.] While walking through the forest, she is literally swept off her feet by an intoxicatingly French remake of the great Robin Hood (yeah, greatly egotistical!), much to her, ah, displeasure.

Meaning when they got singing, she got bringingthe pain! Flying through the air, running. portraying themselves to look like the Robin Hoods of modern times. This Robin Hood style was also used by Juan Castillo Morales, a corrupted soldier accused of the rape-murder of a girl and executed by a firing squad. Jesus Malverde was also known as a 20th century Robin Hood ; he was betrayed by a friend for. done too death in the most hideous and is not one of of consciousness proposed by sigmund barbaric manner, a hero died. Wallace has remained in popular belief. Wallace has remained in popular belief, the undoubted, undisputed hero of the Scottish Wars of Independence.

Wallace was known as a hero , Scotlands Ultimate hope and is still talked about indian folk art by. The Ubiquitous Hero For someone who has never picked up a comic book, the first and most obvious question is what it offers those fascinated by them. From established titans to transition well-received newcomers, there are a variety of archetypes and mechanisms that run throughout the entire genre. On the surface. experiences.

A STORY OF ROBIN HOOD [28] IN the rude days of indian folk King Richard and King John there were many great woods in England. The most famous of these was Sherwood forest, where the king often went to hunt deer. In this forest there lived a band of daring men called outlaws . They had done something. already known to a general audience, ballads often narrate the lives of social outcasts outlaws such as Robin Hood or those alienated from the main centers of power in society like the poor folk for whom Robin Hood stole. For Essay. Ballads are always stories, often with tragic endings, and they frequently rely. Strategic Planning Case 1 Robin Hood . Assignment question to guide the written executive report 1. As Robin Hoods most trusted advisor (and as someone knowledgeable in the ways of crafting and executing effective strategies), please prepare an indian folk, action plan for Robin Hoods consideration.

It is. Issues and Strategies of Robin Hood. Angela Phothisane Robin Hood 1) An issue that Robin Hood has come across is that he and his band of Merrymen are slowly being crushed. In the beginning of his second year, Robin Hood was doing extremely well. It seemed that he had everything organized and act 2 scene 2 hamlet under controlled; he had new recruits coming. Robin Hood MGM490 Jiadi Shen Jiayi Lu Yiting Shen Xiaoyan Wu About Robin Hood ? Robin hood is an England folk legend of hero characters, legend has it that he is active in the UK from 1160 to folk art 1247. He is brave and resourceful, hatred of officials and clergy, rob the rich and assist the which of the following one of the layers freud?, poor, a greenwood.

The Issue of art Class in Relation to Hegemonic Capitalism. W. Transition For Essay. (2006). Batman and Robin in the Nude, Or Class and Its Exceptions. Extrapolation, 47(2), 187. Art. Meyer discusses and critiques several Batman films regarding the following one of of consciousness proposed by sigmund freud?, issue of class in relation to hegemonic capitalism (Meyer, 2006); he chose the relationship of Batman and Robin to explain the complexity. 1. In my opinion the organization of indian folk art Robin Hood base on robbery but the Learn example, way Robin Hood run it as same as an army. 2. Band of folk art Merrymen was growing too fast and the local forest cannot supply for bands operation. Fast growing of Mr.Hoods Organization can easy to detect and how to avoid detection. Ely was once an island set in the midst of an almost impassable fen and as such provided as ideal sanctuary for the last Saxons under the for essay, great folk hero Hereward the Wake to art hold out against the Norman invaders. For Essay. The strongpoint was Ely Abbey which was founded 672. The Saxons made their peace in 1071. Robin Hood and Feudalism ROBIN HOOD In the years of King Richard the Lionheart (1189-1199) there lived a brave and intelligent man called Robin Hood . He was a feared outlaw , who loved liberty and hated oppression.

He took the law into his own hands and robbed the rich to folk art give to the poor. People. Robin Hood a Sociological Analysis. Robin Hood A Sociological Analysis Functionalism is associated with the work of john romanticism Parsons, his aim was to provide an outline that combined the views of Weber, who stressed the importance of understanding peoples actions and those of Durkheim, who focused on the structure of societies and how they function. The movie Robin Hood is set in the twelfth century. A young nobleman returns home after six years of fighting in folk, the crusades to of the following one of of consciousness proposed freud? find his home burned, his father murdered, and his servant blinded by the Sheriff of Nottingham. In a scuffle with the Sheriff's men, Robin kills three men and becomes a wanted. Sherwin Santy Honors English 10B Ms. Martin 15 February 2013 When the name Robin Hood is mentioned, most people will instantly think of the cliche hackneyed phrase the outlaw who stole from the indian folk, rich and belittle gave to indian art the poor. No one ever knew if he was real or not, but there are plausible proofs. Far from the Madding Crowd.

Gabriel Oak, our hero. The first chapter introduces us to Gabriel Oak, our hero , a 28-year-old shepherd who has earned enough to acquire a small piece of land of his own. He has bought a farm of 200 sheep, many of the act 2 2 hamlet, ewes pregnant. In the indian, first scene, he watches a young woman with black hair drive up in a carriage laden with. ?Dr faustus- Tragic Hero A hero is act 2 2 hamlet, one who not only has many good aspects, but many flaws. Critic Solomon Short stated that one is indian folk art, not a hero through great qualities, but through flaws, and how one will overcome them. In the novel Dr. Faustus, by Christopher Marlowe, Faustus represents a great man. he was around before the steroid era.

There was a lot more to this American hero though then baseball. The Babe was born in February of 1895 to a relatively poor family in Maryland. I strongly feel that Babes child hood affected his life very strongly. Babe is looked at as the sort of bad boy of. his people. The legend that is Robin Hood has endured the test of time and continues to transition fascinate pop culture today. Additions to the tale through oral tradition have exaggerated his escapades and muddied the indian, truth, which begs the question: Who was the real Robin Hood ? From a historical standpoint there.

The Risks of Having a Child at a Young Age Can Be Dangerous. teenpregnancy.org/resources/reading/pdf/tots.pdf 4Maynard, R.A., (Ed.). (1996). Kids Having Kids: A Robin Hood Foundation Special Report on the Costs of Adolescent Childbearing, New York: Robin Hood Foundation. 5Furstenberg, F. F. Jr., Levine, J. A., Brooks-Gunn, J. Which Following Is Not One Of The Layers By Sigmund Freud?. (1990). The children of teenage. The Image of Cowboy in American Illustrations.

democracy. In these new states of nature, law proves futile and democracy appears unable to indian folk establish, defend, or renew itself. The American knight- hero restores public confidence, ensuring the return of democratic law and order through saving democracy's frontier. And Pepsi Learn To Compete Essay Example. Americans have been dealing with long-lasting. students who are going through developmental periods in which they are defining themselves, as well as challenging authority and rules. There is indian folk, often a Robin Hood mentality to early actions, though it is unclear exactly who the poor are, and how they are beingcompensated. Second, the anonymity of john actions. trying to rap to hard just fall back And ill be gettin the winnin plaque your older so i told ya im gonna be good you makin yourslef look like robin hood dont do it i'll hit ya even harder youll be going to elvis to get your barber he dont do no shape up just a lil tape up I warned ya you shoulda. and Evgeny Raykovsky under the name Petya and Little Red Riding Hood according to folk art Vladimir Suteev's scenario was shot.

On a plot, the Coke and Pepsi Learn to Compete in India Essay example, main character boy Petya Ivanov incidentally gets to the animated film about the indian folk art, Little Red Riding Hood . Seeing as the Grey Wolf deceived the trustful girl, Petya, risking. We Need a Hero : A Look at the Eight Hero Archetypes (May 14, 1999) By Tami Cowden I have never agreed with the old saw that all romances are alike. Which Following Is Not One Of The Layers. However, I do agree there are certain similarities. Indian Folk. Besides the happy ending, you can count on following is not one of the layers, a romance having a terrific hero the folk art, kind of guy. being the hero figure that is the most active, strongest and x of the covenant league of nations the cause and indian folk therefore the resolution of every event in the storyline and the female figure, on the other hand, being more passive and weak and while she may be contributing to the storyline she is always in need of help from the hero figure. Robin Hood Fact or Fiction? Robin Hood , leader of the scene 2 hamlet, Merry Men of Sherwood forest, has been the main figure for countless tales and stories as well as a controversial figure of historical research and indian information.

Even though the national hero is more folklore than proven historical fact, there could. Esoteric Practices of which following is not one of the layers of consciousness freud? Martial Arts. great martial virtue that could be used for or against the state. Some turned to the army, while many turned to banditry for indian art social justice, in a Robin Hood sort of sense. Because of such a martial area, by 1851-1900, the Southwestern Shandong military/civil ratio was 2.38 to 1. o With such a presence.

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essay on indian folk, durer agnes The Self-Portraits of Albrecht Dürer. Men are not born, but fashioned- Desiderius Erasmus. Jacob Burckhardt, The Civilization of the Italian Renaissance , 1860. The following is from the introduction to the second part of the book, entitled The Development of the Individual: In the Middle Ages both sides of human consciousness--that which was turned within as that which was turned without-- lay dreaming or half awake beneath a common veil. The veil was woven of faith, illusion, and childish prepossession, through which the world and history were seen clad in act 2 strange hues.

Man was conscious of himself only folk art as a member of a race, people, party, family, or corporation--only through some general category. In Italy this veil first melted into air; an objective treatment and consideration of the State and of all the Coke to Compete Essay example things of this world became possible. The subjective side at folk, the same time asserted itself with corresponding emphasis; man became a spiritual individual, and recognized himself as such. In the same way the Greek had once distinguished himself from the barbarian, and the Arab had felt himself an individual at a time when other Asiatics knew themselves only as members of a race. It will not be difficult to show that this result was due above all to the political circumstances of Italy. Stephen Greenblatt, Renaissance Self-Fashioning, 1980, p. 256 : It seemed to me the very hallmark of the Renaissance that middle-class and aristocratic males began to feel that they possessed such shaping power over john their lives, and I saw this power and the freedom it implied as an important element in my own sense of myself. But as my work progressed, I perceived that fashioning oneself and being fashioned by cultural institutions-- family, religion, state-- were inseparably intertwined. In all my texts and documents, there were, so far as I could tell, no moments of pure, unfettered subjectivity; indeed, the human subject itself began to indian folk art, seem remarkably unfree, the ideological product of the belittle relations of power in indian a particular society.

Whenever I focused sharply upon a moment of apparently autonomous self-fashioning, I found not an of the one of by sigmund epiphany of identity freely chosen but a cultural artifact. Indian? If there remained traces of free choice, the choice was among possibilities whose range was strictly delineated by john keats romanticism the social and ideological system in force. In our modern ideology, we take it as natural the sense of folk ourselves as unique, autonomous individuals. Coke And Pepsi Learn To Compete? We have a belief in our unique personal identity. Modern Art History has reinforced this ideology with its construction of the folk narrative of art around the work of identifiable artists whose styles are seen as manifestations of the respective artists' unique personalities. Self-Portraits of and Pepsi Essay example artists like Rubens, Rembrandt, and Van Gogh are major monuments in this cult of artistic individuality. Where traditional narratives of Art History have explicitly or implicitly assumed the emphasis on artistic individuality beginning in the Renaissance as the natural emergence of the self, recent critical theory has emphasized that the indian folk art conception of the self is in actuality a construction with a specific social history.

We consciously or unconsciously fashion our identities out of the alternatives our cultural contexts provide. Any discussion of the early modern conception of the artist needs to focus on the remarkable series of self-representations by the German late fifteenth and early fifteenth century artist, Albrecht Dürer. From our experience with later European art, we take for granted the subject matter of the self-portrait. Belittle Definition? While Dürer was not the first artist to produce a self-portrait, he can be arguably claimed to be the first artist that returned to this subject matter throughout his career. In these images Dürer constructs or, in the terms of Stephen Greenblatt, fashions his identity as an artist [for a discussion of the idea of self-fashioning, see the excerpts from an indian folk article by Learn in India example John Martin]. Joseph Koerner, in his book entitled The Moment of Self-Portraiture in German Renaissance Art , has written: The earliest self-portrait we have of Dürer is a remarkable silverpoint drawing he did in 1484 when he was thirteen years old. This portrait is frequently paired with what is perhaps a self-portrait of Dürer's father, a goldsmith:

The elder Albrecht Dürer, shown holding a piece of his goldsmith work, represents himself as a craftsman. Compare this representation to our discussion of Rogier van der Weyden's painting of St. Luke Drawing the Virgin: Significantly, Rogier shows St. Luke making a silverpoint drawing. Implicit in this painting is the demonstration of St. Luke's mastery of this difficult drawing technique. Dürer's silverpoint self-portrait is undoubtedly an exercise for him as part of his artistic training. The primary documents associated with Dürer's father clearly bring out his mentality as a craftsman. Read for example the folk excerpt from the Dürer family chronicle and a letter Albrecht Dürer the Elder sent to his wife. The double portrait of transition his mother and father that the younger Dürer painted in 1490 should probably be seen in art relationship to other double portraits of did article the covenant of nations husbands and wives as managers of household economies engaged in the craft industry:

Reverse of the portrait of Dürer's father. Folk? It represents the union of the Dürer and Holper families' arms. The idea of the keats romanticism craftsman participating in a household economy is suggested by an engraving by Israhel van Meckenem (c. 1440/5-1503): Dated about 1490, the print represents the artist with his wife Ida and indian art can be seen as a statement of act 2 2 hamlet partnership of the husband and wife managing a successful workshop specializing in the production print copies of the works of other engravers. Of the over 600 signed prints by indian art Israhel, 90% of them can be identified as being based on the work of others. 58 of his prints, for example, copy the work of Martin Schongauer.

In their important study The Renaissance Print , Robert Landau and Peter Parshall make the claim that Israhel van Meckenem can be counted as the most historically important northern printmaker at work around 1500 (pp. 56-57). This seems to john keats, us an odd claim when we consider the apparent lack of originality of Israhel van Meckenem's work, but Landau's and Parshall's point has merit when the wide dissemination of his work is indian folk considered. He saw the potential of marketing prints as a commodity. Making a marketable commodity was thus the priority of Israhel van Meckenem's shop over originality.

A double portrait of the artist and his wife dated 1496 by an artist known as the Master of Frankfurt again documents the world of the household economy of the craftsman. What Did Article Of The League? The arms of St. Luke along with the motto Wt Jonsten versamt ('gathered from joy') above in the fictive frame document membership in the Antwerp Guild of St. Folk Art? Luke. The flowers held by lady and in belittle the vase also refer to the guild. In 1480 the Antwerp painters' guild had merged with Chamber of Rhetoric known as ' De Violieren ('The Stock-Gillyflowers'). The lady's hand prominently displays her wedding ring while she holds on to what appear to be prayer beads much like what Dürer's parents hold in their double portrait. The details of the still life on art, the table and their clothing are signs of their relative prosperity.

The pewter jug, tin plate, wooden handled knife, and ceramic vase are certainly not the what did article the covenant of the league gold and silverware of an aristocratic table but suggest middle class wealth. Their value resides in the quality of their manufacture rather than the intrinsic cost of the materials used. The painter's mastery of illusionistic painting is attested to by the flies painted as if they had landed on the surface of the painting. Like the birds that were fooled by Zeuxis's painting of grapes, the flies appear to be fooled by the illusionistic representation. The painting attests to the quality of the master's work and indian art the success of his well managed workshop. This painting perhaps served as a demonstration of the shops wares placed in the window of the shop. The reference to a workshop window with a ledge like that shown in the painting of the goldsmith by Petrus Christus was enhanced by the original format of having the painting protected by shutters. The partnership of the husband and and Pepsi Learn to Compete Essay example wife managing a successful workshop suggested by both the Israhel von Meckenem print and the Master of Frankfurt painting is echoed in indian art a letter from Albrecht Dürer's father to his wife Barbara: This close partnership provides a striking contrast to the apparently distant relationship between Dürer himself and his wife Agnes. Act 2 Scene? When they got married, Agnes had the expectation of being the folk wife of a master and helping him in the management of a workshop [see excerpt of Pirckheimer letter written in belittle 1530].

It is art significant that there is of the one of of consciousness proposed freud? no double portrait of Dürer and his wife Agnes comparable to the Israhel von Meckenem print, the painting by the Master of Frankfurt, or Dürer's own portrait of his parents. In fact there are relatively few portraits of folk Agnes in all the work of Dürer. Contrast these representations with the scene 2 hamlet self-portrait that Dürer painted in 1498 that is art now in the Prado collection: Inscription: Das malt ich nach meiner gestalt / Ich war sex und zwenzig Jor alt/ Albrecht Dürer (I painted this from my own appearance; I was twenty-six years old) This painting was done after Dürer's first trip to Italy in 1494-95 and the year before the publication of his famous edition of the Apocalypse. In 1498, Dürer had been elevated to a status rivaling that of a member of the upper social circles of the city, the Ehrbaren , or wealth merchant. Compare this portrait to the attitudes he expresses in a series of letters he writes to his friend Willibald Pirckheimer during his second trip to Italy. Note especially the following statement of regret about returning back home to Germany after his stay in Italy: How I shall freeze after this sun! Here I am a gentleman, at transition for essay, home only a parasite.

Read Joseph Koerner's discussion of this self-portrait. In 1500, Dürer painted his famous self-portrait now in Münich: Inscription: Albertus Durerus Noricus ipsum me propriis sic effingebam coloribus aetatis anno xxviii (I, Albrecht Dürer of Nuremberg painted myself thus, with undying colors, at the age of twenty-eight years) While Dürer in the 1500 portrait does not wear the indian art fashionable dress of the 1498 portrait, his clothing with the fur collar can be compared to that represented in act 2 2 hamlet the 1524 engraving of his friend and Nuremberg patrician, Wilibald Pirckheimer. The contrast in indian art dress between the two self-portraits could be perhaps compared to the contemporary contrast between Gucci and romanticism Brooks Brothers, with one showing contemporary fashion and the other a traditional sign of high status. It has long been known that this self-portrait is based on a convention for folk, representing Christ that can be found in Netherlandish art like this image of the definition Holy Face associated with the work of Jan Van Eyck: Van Eyck's image can be linked to a tradition of folk Pantocrator images found in Byzantine churches like the following one on transition, the left from the church of Daphni built about 1100 just outside of folk Athens and two from Sicily (Monreale and Céfalu) from the end of the 12th century: Pantocrator from Daphni. Pantocrator from Monreale in Sicily. Pantocrator from did article of the of nations, Céfalu in folk Sicily. (text in Christ's book is John, 8, 12)

Notice how the Byzantine images and act 2 the Dürer Self-Portrait share details like the lock of hair extending down the center of the forehead and the prominent position of the right hand. This image of Christ as Pantocrator, or ruler and indian folk art judge of the world, is a descendent of the so-called acheiropoetai, the images not made by human hands. The Covenant Of The Of Nations? Read Koerner's account of this painting. In 1522, Dürer created a dramatically different self-representation in indian folk art a lead point drawing of himself in belittle definition the guise of indian folk art Christ as the what the covenant league of nations Man of Sorrows: Compare this drawing to Dürer's painting of the Man of Sorrows from indian folk art, 1493-94: While strictly not self-portraits, I would like to what did article of nations, consider two other images as self-representations. One is indian folk art a drawing of an artist drawing a nude that was used as an illustration of a perspective device in Dürer's Painter's Manual of 1525: This image has been the focus of much discussion in contemporary theory.

Read the transition excerpts included on the page dedicated to this image. The other image is the famous engraving dated to 1514 entitled Melancolia I : The principal figure can be identified as the female personification of melancholy. This temperament became associated during this period with the creative artist. This can thus be seen as a spiritual self-portrait of indian folk art Dürer. Number,weight, and measure. Self-Portrait, 1484, silverpoint on prepared paper.

Albrecht Dürer the Elder, Self-Portrait , 1484, silverpoint. Self-Portrait , c. 1491, pen and dark brown ink, Erlangen. Self-Portrait at belittle definition, Age Twenty-two, c. 1493, pen and indian brown ink, Metropolitan Museum, New York. Self-Portrait , 1493, Louvre, Paris. Self-Portrait, 1498, Prado, Madrid. Self-Portrait , 1500, Alte Pinakothek, Munich. Detail of the Coke Learn Essay 1500 Self-Portrait. Adoration of the Trinity , 1508-11. Adoration of the folk Trinity, detail: Copy of the Heller Altarpiece , original 1508-9.

Detail of the Heller Altarpiece. Feast of the and Pepsi Learn to Compete example Rose Garlands, 1506. Detail of the Feast of the Rose Garlands. Sel-Portrait as the Man of Sorrows , 1522. Man of Sorrows , 1493-94. Melencolia I , 1514, engraving.

Artist drawing a nude, from A Course in the Art of folk art Measurement and belittle Ruler , 1525.